“The term "extended technique" is most commonly used to describe instrumental actions that extend beyond the saxophone's commonly practiced techniques. However, the term "extended technique" can become a double-edged sword. It implies an "otherness," even a barrier, to sounds that are unique and beautiful to the saxophone. Perhaps we can reframe the term "extended technique." Rather than extend our technical abilities, perhaps there is a chance to extend our ability to communicate and express the depths and nuances of human experience.

We find new avenues of expression when we embrace these sounds. A solitary wind instrument becomes a symphony of timbre and texture, a sonic machine shop, a percussion instrument, a lush garden of chaotic sound. We find a saxophonic vernacular that extends the possibilities of expression and connection. However, there is often a gap when approaching compositions that feature these sounds. It is a gap that is felt both by upcoming saxophonists and audience members.

In Riparian, Dr. Shawna Pennock not only makes a virtuosic and artistic statement in her performance, but also bridges a commonly overlooked gap in saxophone pedagogy. This is far beyond technical demonstration. Riparian embraces the saxophonic language and provides artistically strong points of entry to the vernacular. This is an album I wish I could have heard as a young saxophonist, and I am positive that it will inspire so many upcoming artists to investigate all that the saxophone has to offer. “